The Mindscape of Alan Moore

The Mindscape of Alan Moore is a 2003 feature documentary which chronicles the life and work of Alan Moore presents the story of his development as an artist, starting with his childhood and working through to his comics career and impact on that medium.

Frankenstein Is Published (1818)

Frankenstein Is Published (1818)
Mary Wollstonecraft Shelley's Frankenstein, or the Modern Prometheus is a gothic novel that spawned a new genre of horror stories and films. It tells the story of Frankenstein, a scientist, who discovers how to bring inanimate matter to life and, in the process, creates a man-monster. When Frankenstein fails to provide a mate to satisfy the creature's human emotions, it seeks revenge.



Mary Shellys's The Modern Prometheus or Frankenstein. This is an exceptional film for its era. Written and Directed by J Searle Dawley, the film reinterprets, rather then condenses, Mary Shelley's book. The film focuses on the mystic psychological problems in this uncanny parable. The following plot summary is taken from Thomas Edison's paper The Edison Kinetogram. It written in 1910 the year the film was released by his production company.

Frankenstein, a young student, is seen bidding his sweetheart and father goodbye, as he is leaving home to enter a college in order to study the sciences. Shortly after his arrival at college he becomes absorbed in the mysteries of life and death to the extent of forgetting practically everything else. His great ambition is to create a human being, and finally one night his dream is realized. He is convinced that he has found a way to create a most perfect human being that the world has ever seen. We see his experiment commence and the development of it. The formation of the hideous monster from the blazing chemicals of a huge cauldron in Frankenstein's laboratory is probably the most weird, mystifying and fascinating scene ever shown on a film. To Frankenstein's horror, instead of creating a marvel of physical beauty and grace, there is unfolded before his eyes and before the audience an awful, ghastly, abhorrent monster. As he realizes what he has done Frankenstein rushes from the room, only to have the misshapen monster peer at him through the curtains of his bed. He falls fainting to the floor, where he is found by his servant, who revives him. After a few weeks' illness, he returns home, a broken, weary man, but under the loving care of father and sweetheart he regains his health and strength and begins to take a less morbid view of life. In other words, the story of the film brings out the fact that the creation of the monster was only possible because Frankenstein had allowed his normal mind to be overcome by evil and unnatural thoughts. His marriage is soon to take place. But one evening, while sitting in his library, he chances to glance in the mirror before him and sees the reflection of the monster which has just opened the door of his room. All the terror of the past comes over him and, fearing lest his sweetheart should learn the truth, he bids the monster conceal himself behind the curtain while he hurriedly induces his sweetheart, who then comes in, to stay only a moment. Then follows a strong, dramatic scene. The monster, who is following his creator with the devotion of a dog, is insanely jealous of anyone else. He snatches from Frankenstein's coat the rose which his sweetheart has given him, and in the struggle throws Frankenstein to the floor, here the monster looks up and for the first time confronts his own reflection in the mirror. Appalled and horrified at his own image he flees in terror from the room. Not being able, howevers to live apart from his creator, he again comes to the house on the wedding night and, searching for the cause of his jealousy, goes into the bride's room. Frankenstein coming into the main room hears a shriek of terror, which is followed a moment after by his bride rushing in and falling in a faint at his feet. The monster then enters and after overpowering Frankenstein's feeble efforts by a slight exercise of his gigantic strength leaves the house. Here comes the point which we have endeavored to bring out, namely: That when Frankenstein's love for his bride shall have attained full strength and freedom from impurity it will have such an effect upon his mind that the monster cannot exist. This theory is clearly demonstrated in the next and closing scene, which has probably never been surpassed in anything shown on the moving picture screen. The monster, broken down by his unsuccessful attempts to be with his creator, enters the room, stands before a large mirror and holds out his arms entreatingly. Gradually, the real monster fades away, leaving only the image in the mirror. A moment later Frankenstein himself enters. As he stands directly before the mirror we are amazed to see the image of the monster reflected instead of Frankenstein's own. Gradually, however, under the effect of love and his better nature, the monster's image fades and Frankenstein sees himself in his young manhood in the mirror. His bride joins him, and the film ends with their embrace, Frankenstein's mind now being relieved of the awful horror and weight it has been laboring under for so long.

Ergo Proxy

this is simply one of the best Sci-Fi show/movie ever. yes better then star wars or star trek
"Everything about Ergo Proxy is rich and impressive, from the gorgeous music, tight writing and purposeful
episode-end cliffhangers to the sophistication of its futuristic society..." Tasha Robinson - SciFi.com

The Immortal Lily The Pink

The Immortal Lily The Pink
The 100th anniversary of the FDA marks a milestone in medicine before which cranks and charlatans ran amok
Lydia Pinkham, as she appeared on an original antique advertising card, circa 1880.

This year has represented a little-remarked-upon major milestone in American medicine: the 100th anniversary of active Federal regulation of food and drugs. The Pure Food and Drug Act came into effect on January 1st, 1907 — the first step toward the creation of the modern Food and Drug Administration (FDA), and a step forward from the dangerous anarchy of the patent medicine era.

For the first time, drug manufacturers were required by law to disclose the dosage and purity of their products (including, for the first time, disclosing whether they contained poison, alcohol, or narcotics such as heroin or cocaine). They were also required to refrain from deliberately lying about their products, and from fraudulently substituting a claimed ingredient for some other ingredient.

Bizarrely, such laws were needed.
To celebrate this anniversary, and in time for the holidays, we’re pleased to share a brand new, free MP3 recording of a song with roots extending back to the bad old days of unrestrained snake oil: “Lily the Pink” (performed here by the Canadian bluegrass trio Dirty Dishes).

“Lily the Pink” (which evolved from “The Ballad of Lydia Pinkham”) is a comic send-up of the woman called “the queen of patent medicine.” Starting in 1875, Lydia Pinkham built a business empire on the hype-driven sales of a herbal concoction marketed to women for relief of “all those Painful Complaints and Weaknesses so common to our best female population.” In specific, it was intended to address menstrual cramps, and was also “particularly adapted to the Change of Life.”

True to the dizzy style of the unregulated patent medicine era, Lydia E. Pinkham’s Vegetable Compound was promoted with a blizzard of unlikely claims. (As the lyrics of “Lily the Pink” mockingly put it, “She invented a medicinal compound, efficacious in every case.”) Ad copy insisted that it cured everything from headaches to indigestion to farting, not to mention sleeplessness and depression. (Its primary ingredient was booze, so there was no doubt some evidence to support these latter claims.)

Less believably, Pinkham’s Compound was advertised to “dissolve and expel tumors from the uterus at an early stage of development. The tendency to cancerous humors there is checked very speedily by its use.” It was also, the ads said, remarkably effective: “98 out of every 100 women who take the medicine for the ailments for which it is recommended are benefited by it. This is a most remarkable record of efficiency. We doubt if any other medicine in the world equals it.”

Remarkable indeed.

It’s clear that most of these boasts were made up whole cloth, but was any of it true? I asked quack medicine expert Dr. Harriet Hall, “Was Pinkham’s herbal cocktail at all useful for treating anything?”

“The bottom line,” Hall told me, “is that we have no idea whether her product was effective or safe, since it has never been properly tested. We have no good evidence that any of the individual components are safe or effective, and we have no way of knowing what might happen when you mix them. Mixing remedies could do almost anything — they could cancel each other out, have additive effects, vastly increase the chance of side effects, who knows?”

Certainly the Lydia Pinkham Medicine Company had no idea whether its product was safe or effective. It was literally something Pinkham brewed up in her basement, without scientific testing of any kind.

On the other hand, we do now have firm evidence regarding the efficacy of black cohosh, the herb modern alternative medicine proponents most often cite as the effective active component to Pinkham’s Compound. Long considered promising as a treatment for the symptoms of menopause, black cohosh unfortunately bombed in a recent large trial designed by the National Institutes of Health to clarify the ambiguous existing literature and settle the question. The results of this randomized, double-blind, placebo-controlled trial were unequivocal: black cohosh is useless for the control of menopausal hot flashes and night sweats.

As far as science can tell, Lydia’s Compound was worthless in public health terms. By free market standards, however, it was a soaring success story. Pinkham’s booming 19th century enterprise raked in hundreds of thousands of dollars a year.

The secret, then as now, was marketing. Pinkham spread the message through national print ad campaigns, door-to-door sales, point of purchase postcard giveaways, and many books and pamphlets that alternated recipes or household tips with ads for her product. The company’s aggressive marketing pioneered a formula for selling quack medicine that is still common today:

1. Market directly to women: At the mercy of a male-dominated medical establishment, women were eager to seize control of their own health. Offering them a way to sidestep the then-primitive medical mainstream through the consumption and word-of-mouth promotion of a herbal “alternative” was (and still is) an effective hook for a sales pitch. With its “just us girls” attitude and its “Only a woman can understand a woman’s ills” tagline, the Lydia Pinkham Medicine Company turned shameful social inequality into a source of profit.
2. Sow fear of mainstream medicine: “ANY HOSPITAL EXPERIENCE is painful as well as costly and frequently dangerous,” warned Food and Health, a promotional book produced by Pinkham’s company. “Many women have avoided this experience by taking Lydia E. Pinkham’s Vegetable Compound in time…”
3. Present your big business as warm, folksy and personal: With Lydia Pinkham’s matronly portrait as its logo, the company was able to present itself as a homemade cottage enterprise. (Fans of the animated TV series Futurama may recognize “MomCorp” and its subsidiary “Mom’s Friendly Robot Company” as comic descendants of the Pinkham advertising model.) Customers who wrote for advice even received personal responses from Lydia herself — for years after she died. In fact, a large, dedicated department within the company churned out replies by the thousands.

Today, this time-tested advertising model — present your mainstream competitors as cold and mercenary, while presenting your own for-profit company’s herbal products as warm, homemade, and natural — is still in wide use in the alternative medicine industry. Indeed, it’s shocking how little has changed.

Today, herbal concoctions and other supplements are cooked up and marketed with wild abandon, with all the unrestrained, unverified boasting of the patent medicine era still on display. We are told (coyly, skirting the few rules for labeling) that herbs and proprietary blends can cure more-or-less anything — just as we were assured by Lydia Pinkham.

Have we really made so little progress against health fraud?

In fact, we’ve come a long way. Today, most medicines are carefully regulated, and consumers can be reasonably assured of the basics: that effectiveness, side effects and interactions are known to some degree; that the bottle contains what the label says; that we are not unknowingly buying bottles of heroin, and so on. We all know that regulation comes with its own cost (drugs take a long time to get to market, for example) but we’re much, much better off than drug consumers in Pinkham’s day.

Unfortunately, current regulations have a hole in them, a hole large enough to drive a truck through — or rather, truckload after truckload of untested, unregulated herbal “supplements.”

The fault for this lies with a piece of legislation called the Dietary Supplement Health and Education Act of 1994 (DSHEA), which seized back control of patent medicines from the FDA. Driven by strenuous lobbying from supplement manufacturers, this legislation removed all herbs, vitamins, and minerals from FDA oversight — despite the fact that herbs are drugs, exhibiting a full range of effectiveness (or ineffectiveness), dangerous side effects, and interactions with other drugs. Not only are the producers of herbal drugs and other supplements no longer required to prove that their products work — or whether they are safe — but the burden of proof regarding safety is explicitly shifted to the FDA.

That is, anyone can sell any old combination of herbs at any dosage, without any obligation to even try to find out if that product is safe or not.

Only if a supplement kills enough people to get the FDA’s attention, and if the staff of the FDA can find the time and budget, can the FDA then attempt to prove in court that the supplement is unsafe. This costly and lengthy close-the-barn-door-after-the-horses-have-escaped procedure is of course attempted only rarely, and in the most severe cases. The first such case was the banning of ephedra, a supplement suspected in hundreds of deaths. This ban was soon challenged in court (by a company which sells ephedra), and overturned — on the basis that the DSHEA forbids FDA action even in such an extreme case. Luckily, the ruling against the ephedra ban was itself overturned on appeal. After more than two years of legal battles, ephedra supplements are today illegal.

Despite this eventual victory on this one substance, the DSHEA renders the FDA almost powerless over herbal drugs, even if they are known to be dangerous. (Certainly the FDA has no power at all over herbal drugs whose dangers are simply unknown.) This industry-driven legislation inexplicably shifts the cost of safety testing from the companies that profit from the sales of supplements to the taxpayer. More to the point, the risk is shifted from the R&D budgets of companies to the personal health of individual consumers — exactly where we began, in Lydia Pinkham’s day.

Thanks to the DSHEA, the supplement industry has exploded (by several hundred percent or more). It now rakes in tens of billions of dollars a year. Requiring no expensive safety testing or FDA approval, these products are produced with an enviable profit margin, which has of course drawn large pharmaceutical corporations enthusiastically into the supplement industry. (People buying “alternative” herbal products rarely appreciate the likelihood that they are feeding their dollars into the exact same Big Pharma system they are attempting to circumvent, with the only difference being that corporation has been excused from the responsibility or cost of ensuring the safety or effectiveness of one of its lines of drugs.)

We’ve come a long way — but we’ve also, in some ways, come full circle.

This is a shame, because the room for mischief we’ve granted to modern alternative medicine manufacturers is the exact same ground we won at such great cost and effort from the early 20th century patent medicine industry. Like today’s Natural Cures infomercial star (and convicted con-man) Kevin Trudeau, the Pinkham company engaged in a series of running battles with Federal regulators regarding the dishonesty of its labeling and advertising. As is still the case, vagueness and coy insinuation became the best friends of quack medicine manufacturers. (Noting yet another label change in 1939, Time magazine quoted the American Medical Association’s exasperated patent medicine czar: “Lydia E. Pinkham’s Vegetable Compound is ‘Recommended as a Vegetable Tonic in Conditions for which this Preparation is Adapted.’ This statement is about as informative as it would be to say that ‘For Those Who Like This Sort of Thing, This is the Sort of Thing That Those People Like.’”)

It’s clear that we still have much work to do in this important public health arena:

In 1875, one business empire was founded on the sale of Lydia Pinkham’s Vegetable Compound, an untested medical potion for “those painful Complaints and Weaknesses so common to our best female population.”

Today, after a century of wrestling with the patent medicine industry, another company markets an alternative medicine concoction promoted as “beneficial in menstrual and menopausal distress.”

It is called Lydia Pinkham Herbal Compound.

GTA 4

Now i will have my whole clone army of zombies

A technical breakthrough has enabled scientists to create for the first time dozens of cloned embryos from adult monkeys, raising the prospect of the same procedure being used to make cloned human embryos.

Attempts to clone human embryos for research have been dogged by technical problems and controversies over fraudulent research and questionable ethics. But the new technique promises to revolutionise the efficiency by which scientists can turn human eggs into cloned embryos.

It is the first time that scientists have been able to create viable cloned embryos from an adult primate – in this case a 10-year-old male rhesus macaque monkey – and they are scheduled to report their findings later this month.

Homegrown DHS

A Dutch guy seems to have set up a small network of bluetooth scanners. He has all the information logged to a central database and you can search it over the web. On his website it says "Some of these matches were only minutes apart. Therefore I could even calculate the approximate speed of someone moving from one location to another.". There are also some interesting statistics on his site showing traffic volume in his hometown (based on bluetooth signals) and he even lists popularity of certain Nokia phones. It's interesting to see how much information an individual can gather using old equipment.

Georgian riot cops in Mickey Mouse gas-masks

The Rose Revolution in the former Soviet state of Georgia is collapsing under phalances of riot-cops. This is distressing, but also fascinating -- who knew that the Georgian riot cop standard issue included a freaky white Mickey Mouse mask?

Gojira is Da Bomb!!!

Godzilla Opens in Japan Sept 3rd(1954)
The first Godzilla film opened in Tokyo more than 50 years ago, and its 20,000 ton star, an enormous lizard, has been smashing up cities and towns ever since. Initially inspired by King Kong, Godzilla soon spawned several other motion pictures and TV shows. Its widespread popularity inspired Japanese filmmakers to develop a number of other monsters and heroes, such as Goro and Gamera. Why was the original Japanese version of the film heavily edited before its release in the US? More on Gojira and WW2

Superfast Laser Turns Virus Into Rubble

"In a development reminiscent of nineteenth century pseudo-science, the father-son team of Kong Thon and Shaw Wei Tsen recently demonstrated that the tobacco mosaic virus can be destroyed in vitro by nano-scale mechanical resonant vibrations induced by repeated ultra-short pulses from a laser. The total energy required is reportedly far below the threshold for human tissue damage and the technique should generalize to human pathogens. Cleaning stored blood is one obvious application."

Political Scientists Discover New Form Of Government

Political Scientists Discover New Form Of Government

WASHINGTON, DC—Political scientists at the Cato Institute announced Monday that they have inadvertently synthesized a previously theoretical...

Afro Samurai Creator Takashi Okazaki Confirms Sequel

He wanders the wilderness to avenge his father's death. He is a man of few words, trained in the ancient ways of the Japanese samurai. He sports an unruly Afro.

"Afro Samurai," the star of an animation series of the same name featuring Samuel L. Jackson, is headed for a second run on U.S. network Spike TV — and finally winning a following in its native Japan, where it will debut on the big screen on Saturday.

"I never expected Afro Samurai to get this huge. It started out as doodlings I made in college," creator Takashi Okazaki said in an interview in Tokyo.

"Now, I have Samuel doing Afro's voice, and lots of black kids thanking me for creating an awesome hero," he said. "I just can't believe it."

Afro Samurai's first season, aired as a five-part series on Spike TV early this year, follows the tale of a young samurai with a big Afro who seeks to avenge the death of his father at the hands of a mysterious warrior called Justice.

The Shock Doctrine

Klein has just published a controversial best seller entitled The Shock Doctrine: The Rise of Disaster Capitalism. In it she defines shock doctrine as “the use of public disorientation following massive collective shocks—wars, terrorist attacks, natural disasters—to push through highly unpopular economic shock therapy.”

The metaphor of “shock” is important because her thesis stems from a contention that what works on a person also works on a nation. Think 9/11 and fear-induced politics that have eroded some of the fundamentals of what we knew as American democracy. To peer into her thinking, check out the short film by Alfonso Cuaron, who made Y Tu Mama Tambien and Children of Men. Klein was hoping he’d send her a quote for the book jacket, but instead he assembled a team of artists and this short film.
More Shocking Video